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Gunther Schuller's distinguished career has included a crucial role in the third-stream movement, which sought to fuse jazz and classical composition and flourished in the late 1950s and early '60s. Schuller also wrote a series of brilliant musicological studies of early jazz. As musical director of the New England Ragtime Ensemble, he has brought very high standards to performance of classic ragtime compositions, beginning with the 1973 recording The Art of Scott Joplin, devoted to the form's most famous composer. The Art of the Rag, recorded in 1989, takes a different tack, mixing pieces of classic ragtime from the beginning of the 20th century with contemporary compositions that work within the form's structural and rhythmic patterns. Whether the work is ancient or modern, the Ensemble brings high precision, genuine vigor, and a fresh luster to the material. Among the fascinating period pieces are relatively well-known works by Joplin, including "Heliotrope Bouquet," and by Jelly Roll Morton, whose "Black Bottom Stomp" and "Grandpa's Spells" seem to travel back in time from their jazz origins. Less well-known but equally deserving of attention are James Reese Europe's "Castle Walk" and "Castle House Rag." Among the modern works, Schuller's own "Sandpoint Rag" and Robert Carriker's "Mattapan Rag" sit most comfortably in the form. --Stuart Broomer
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